The other day while I was in Portland, I stopped into a
vintage boutique. I love vintage fashion, though I don’t think I can pull it
off most of the time. I also love vintage accessories: hats, gloves,
handkerchiefs, and jewelry. I ended up buying a vintage mood ring; that’s
something I know I can work with. I had one when I was a teen, though who knows
where it ended up. When I was a teen, the 70’s styles like peasant tops and
flared pants and platform shoes had come back in style. Plus, like any 90’s girl
knows, we also had Vada Sultenfuss to thank for mood ring awareness.
My husband has an amazing ability of recollection, and he
remembers vividly the TV trailers for the movie My Girl because they enticed
the audience with the tagline “Mac is back!”. Macaulay Culkin had shot to
stardom with Home Alone, and My Girl was his first film following it. He
remembers begging his mother to go see it in the theaters, but she told him
that the movie didn’t seem like it was going to be like Home Alone, but kind of
sad, like Bridge to Terabithia. Which it is, almost exactly.
In Bridge to Terabithia, we have the protagonist Jess, who
feels alienated from his father.”it made Jess ache inside to watch his dad grab
the little ones to his shoulder, or lean down and hug them. It seemed to him
that he had been thought too big for that since the day he was born” ( 19-20). In My Girl, we get a glimpse of Vada’s
relationship with her father (played aptly by Dan Aykroyd) when she says that
she thinks she has cancer, and he asks her to pass the mayonnaise. Growing up
in a funeral home with her widowed father, she sees that most of his attention
to given to the dead and the grieving, so we can assume that her preoccupation
with deadly diseases is her way of seeking his attention.
Jess meets the new girl in town, Leslie, and becomes friends
with her. Jess gets a window into a relationship he’s never had when he sees Leslie
working alongside her father, fixing up their new house. “She loved being
needed by her father. She was learning, she related glowingly at recess, to
“understand” her father” (86). Similarly, Vada looks longingly at Thomas’s mother, who
is asking him about his chores and wiping away his milk mustache; she is
watching an interaction she knows she will never have.
So we have two protagonists, who have a best friend of the
opposite sex, and an inability to relate to their own parents. Oh, and let’s
not forget that they both have crushes on teachers, too. Jess receives some of
the individual attention he’s starved for at home from his music teacher Miss
Edmunds, and Vada enrolls in a summer poetry class to nurse her school-girl
crush on her teacher Mr. Bixler Can anyone watch the scene where she sings to
her class photo, where a heart has been drawn around the teacher’s face without
cracking a smile?
Then of course comes the inevitable tragedy.
While playing in the woods alone, Leslie swings on a rope
over the water. The rope snaps, and after hitting her head, Leslie drowns. Her
sudden death sends Jess reeling. “he ran until he was stumbling, but he kept
on, afraid to stop” (132). Likewise, after Vada loses her treasured mood ring
in the woods, Thomas goes looking for it alone, and stumbles into some angry
bees, who sting him. His allergy to bees dooms him, and Vada loses her only
friend.
Death is the passageway for these narratives, but I’m not
talking about Leslie and Thomas J flying up to Heaven. Death is the passageway
that allows Jess and Vada to develop a closer connection to their respective
fathers. Following Leslie’s sudden death, Jess’s father displays a tenderness
for his son that he never had before. As Jess runs, desperate to escape
reality, his father follows in his truck. “He picked Jess up in his arms as
though he were a baby”. Vada also chooses to run away from reality, darting out
the door at the funeral. When she comes home that night, she is able to talk to
her father, and he really listens to her.
Of course the ending can’t follow the death of a child so
soon. The readers/audience crave closure, and reassurance that our
protagonists are going to be okay. It’s not just about closure, it’s about
growth. Vada attends one last poetry class, in which she reads aloud a poem she
wrote in honor of Thomas J. And Jess begins construction on a bridge to the
titular land that he and Leslie created.
A few years back, I was lucky enough to meet Katherine
Paterson. She is one of the nicest authors I’ve met. The line to get her
signature was incredibly long, and snaked around the auditorium. It was
slow-going too, but that’s only because she was talking to each person who
wanted her signature. Not just the usual “Hi, how are you, thank you” business
either; my husband ended up talking football with her! We asked her if she’d
ever seen the movie My Girl, and she said she hadn’t. I wonder if she would
think they stole her idea, or if this is an old idea, and the two retellings of
it that I’m familiar with just happen to be relatively close in their times.